Monday 5 December 2011

An overview of TV Talent shows

The reality tv talent show as a format isn't exactly a new genre on TV - a quick glance of some of the talent shows that have been on TV will reveal that there has been quite a few of them actually. Here is 10 examples of ones that are well known:


  • Carroll Levis Discoveries;
  • Opportunity Knocks;
  • New Faces;
  • Search for a Star;
  • Stars in Their Eyes;
  • The Big Big Talent Show;
  • Popstars/Pop Idol/The X Factor;
  • Fame Academy;
  • How Do You Solve a Problem Like Maria?;
  • Britain’s Got Talent.
Some of them have a focus on singing, whilst others emcompass a variety of different acts and talents but they usually all follow the same conventions as one another. The format hasn't really changed much but I do think that the genre has evolved in some interesting ways (of which I will discuss in future posts). The basic premise remains unchanged - contestants appear on the show infront of judges who will judge their act and determine a winner. Sometimes the audience has a role in deciding the outcome and can actively participate/vote to decide the outcome, something which is ever more important with modern iterations of the genre in the form of phone voting. One of the first tv talent shows to feature both a judges panel and an audience panel goes as far back as New Faces (1973) and since then the format has remained largely unchanged. I suppose you could say that talent shows have been around since...well...perhaps the dawn of man when caveman tried to impress each other with how far they could throw rocks. I suppose what I am trying to say is that it is an old-fashioned format that translates well to a TV audience.


And now of course we have a ton of different talent shows whether it be Britians Got Talent, The X Factor , or Strictly Come Dancing. They may differ in terms of the type of talent on display or what judges they have and what role the audience has but they are largely similar in format. The overall prize of being a winner may have gone from a nice pat on the back to a million pound recording contract, though. And certainly the scale, scope and popularity of these talent shows have blossomed. With X Factor getting easily over 11 million viewers a night during it's prime.



What is this blog about?

What this blog is going to be is basically an avenue in which to record and reflect upon my thoughts about talent shows, in regards to my contextual research proposal outlined in my previous post. I am going to use this space to record and write about the research that I gather as well as my thoughts and experiences from my own perspective in regards to my own BGT ( Britains Got Talent) audition.

Monday 28 November 2011

Proposal


  •                                                              Initial proposal

                                                               Proposal 

Aims


I will be looking at talent shows as a genre and how as a pure entertainment form- it represents people and their personality through the constructed medium of television. How the seemingly unscripted nature of reality TV is constructed within a deliberately designed framework, reflecting societal values. I will be specifically looking at how through heavy use of editing the producers/editors of a show construct situations in order to appeal to an audience. I will also be discussing how filmic roles such as hero/villain still apply to the genre of reality TV, as producers wish to create a narrative and set up traditional narrative threads such as the underdog rising to fame or romance plots, which may be emphasised or fabricated in some way to cater to an audience. I will be using Susan Boyle and her Britain’s Got Talent success story as an example of a constructed narrative- how through editing she was purposely represented to defy expectation and be the underdog story that would appeal to the world. Depending on how far I get in my own application for Britain’s Got Talent, I may also give some personal insight from an audition perspective.


Bibliography ( early)

The basic plan



-      Research/discussion on the importance of editing in talent shows


-      How editors/producers of talent shows use the basic story/character archetypes to create a narrative that appeals to an auidience


-      Case study – analysis of the Britain’s Got Talent Susan Boyle clip to discuss editing 
techniques and portrayal of character

- Blog to be used to record experience/thoughts on  my BGT experience (as little or as far as I get) and on my identity as a country singer.